I wake to a sunrise triptych
sky blooming pastel between electric wires
that occasionally fizz and sputter overhead
to the open-beaked staccato
of a kookaburra
it is morning, mourning
always another day to remember that beauty
can take the form of defiance
can take the form of a bird
can be the grip of ancient claws
wrapped around copper cable, tight as memory
the earth will always roll back to its origin
when left alone
the roads erased, the craters filled
man’s odd monoliths will be returned to the mud
or else repatriated by a twisting branch
a stretching sea, a crawling bug
in the meantime, all is archive;
see here, the fossil’s old face pressed into the stone
above a plastic bottlecap?
see the gulls, the scattered shells
this earring lost or tossed
beside an early fisherman’s tracks
that blot the shoreline
like fingerprints upon Blue Monochrome?
in the meantime, we make art
and take art
to try and still the wriggling eel in the chest
that says something is slipping
slipping
some
thing is
burning, is shrinking
some
one is spilling his heavy ink over the canvas edge
morning after morning
to colour and fade all things
regardless
I am not as indifferent as the sun
with each slim opening of the eye
I fear that I arrange and destroy the world
keeping some, forgetting most
collecting my own constellations of significance
and leaving the rest to the dust
isn’t it true that separation
is the first and final death?
isn’t it true that the dust
will make of us its own collection
bone by slender bone?
and yet, the kookaburra
and yet, his clenched feet
and yet, his open mouth
his bright pink tongue
the brushstroke of a giggle on the breeze